Event Poster |
Stitch of a Symbol gallery display |
Going behind-the-scenes
Textiles in the research space © Pitt Rivers Museum |
Curatorial Assistant, Nicholas Crowe, and Curator and Joint Head of Collections, Julia Nicholson, laying out objects in the research space ready for the tours.
Visitors in the research space © Pitt Rivers Museum |
Beautiful and intricate objects were laid out in the research space. Visitors were able to take photos, hear Julia talk about how the objects were acquired and learn a bit about their history. It was excellent to hear many of the visitors puzzling between themselves about how they thought garments were constructed and exactly how decorations were applied. Through opportunities such as this, we hope to facilitate visitors to get thinking about the intricacies of construction and about the individuals who made - and still make - such objects.
Floral brocaded ribbon (Slovakia 2008.117.5) © Pitt Rivers Museum |
Mola (Panama, 1924.46.74) © Pitt Rivers Museum |
Waistcoat and blouse (Slovakia, 2008.117.1-.2) © Pitt Rivers Museum |
Tapestry panel (Peru, 1952.7.69) © Pitt Rivers Museum |
Huipil blouse (Guatemala 1990.46.1) © Pitt Rivers Museum |
Visitors in the research space © Pitt Rivers Museum |
The balcony space on the first floor was filled with textiles from our handling collections - visitors were able to pick up and look closely at all sorts of objects - contrasted in different ways - from around the world. One of the days highlights was Head of Conservation, Jeremy Uden, demonstrating weaving on an 8 shaft loom. Visitors of all ages seemed to find this intricate and time consuming work really interesting and asked many questions throughout the day! With help from VERVE volunteers, people could also have a go at weaving on a 4 shaft loom.
Volunteers and visitors have a go at 4 shaft loom weaving using patterns designed by Jeremy Uden, Head of Conservation.
Handling objects - Huipil blouses from Guatemala (2016.223.edu and 2016.219.edu) and a backstop loom likely to be from South America (2002.168.edu).
To finish off their visit, we invited people to join VERVE staff and volunteers for a coffee and to have a go at cross stitch in our seminar room. Each cross stitch design had been specially created by VERVE volunteers and reflected patterns found on the women's hats in the Sheila Paine collection. People could take away patterns and the work they had begun to continue cross stitching in their own time. Some visitors said that this was the first time they had cross stitched since childhood and that they now felt inspired to keep going with the craft. Others had never tried cross stitching before and learnt a new skill whilst also connecting with the collections in a new way.
Designs based on 2008.116.22 - a panel made for a women's skull cap © Pitt Rivers Museum |
Cross stitching © Pitt Rivers Museum |
Finished cross stitch © Pitt Rivers Museum |
A new convert to cross stitching shows off her completed design!
All in all, Textiles in Focus Day was a real success, offering more than 400 visitors the chance to closely examine the textiles in the collections and get some insight into the people who still make and use such items today.
Jozie Kettle
VERVE Programming and Communications Officer
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